Sonic Boom 2020: March 19-22, 2020

Time: 7:30pm
Date: 2020 Mar 19
Location: Pyatt Hall, Vancouver Academy of Music, Orpheum Annex

Vancouver Pro Musica

presents

Sonic Boom 2020

March 19-22, 2020

Pyatt Hall, Vancouver Academy of Music & Orpheum Annex

A four day festival of exciting new music created by BC’s finest composers, performed by eclectic combinations of some of BC’s finest musicians!

Featured Artist: Rachel Kiyo Iwassa

Ensemble-in-Residence: Pacific Baroque Orchestra

Tickets: $18 Students, $22 General, $55 Festival Pass

Buy Tickets in Advance  on Brown Paper Tickets

 

Mixed Ensemble concerts 

 Concert No. 1: March 19 at 7:30pm, Pyatt Hall

(Programme order to be determined)

Wylie Ferguson, Yuputka 

Yuxi (Lucy) Li, Dragonfly 

Leslie Opatril, To Ignite a Star 

Dubravko Pajalic, 2 Melodies   

Ramsey Sadaka, Arioso

Jacob Seyer, Meditation No. 3 for Solo Guitar 

Goushi  Yonekura, Four  interludes from a dance drama about Dante’s Comedia

Isaac Zee, Conversations   

Alvin Leung, Spring Sketches

 

 Concert No. 2:  March 20 at 7:30pm, Pyatt Hall

(Programme order to be determined)

John L. Baker, From A Sparrow Song       

Gabriella Yorke, 5 Short Sketches for Piano and Cello 

Kelly Yixuan Wang, Mr. Snowman and The Girl

Darren Xu, The Adolescent’s Mind 

Robert Humber, breath shapes   

Jack Campbell, 176 

Réjean Marois, Elleniade

Mark Marinic, three diversions 

Alex Jang, momentary encounters (7) 

 

Concert No. 3 : March 21, 7:30pm,

Vancouver Academy of Music (Koerner Recital Hall)

Featured Artist: Rachel Kiyo Iwassa

(Programme Order to be determined)

Chris Albanese, remaining gestures 

Jennifer Butler, Shelter 

Javier Canseco, ‘Vacío’ 

Kara Gibbs, Intertidal   

Peter Krejcar, Diaphanous 

MJ Paquette, play{h}ers passage 

Jeffrey Ryan, AfterShock 

Rodney Sharman, Kopernikuß 

Glenn Sutherland, Holy Ground 

Walker Williams, small 

 

About the Artist: Rachel Kiyo Iwaasa

Hailed in the press as a “keyboard virtuoso and avant-garde muse” (Georgia Straight) with the “emotional intensity” to take a piece “from notes on a page to a stunning work of art” (Victoria Times Colonist), Rachel Kiyo Iwaasa is recognized among Canada’s foremost contemporary music pianists.  Selected to close the ISCM World New Music Days 2017 in Vancouver, Rachel has performed in the Netherlands, Germany, US and across Canada, with engagements including Muziekweek Gaudeamus, Music TORONTO, Music on Main, Vancouver New Music, Redshift, Western Front, Vancouver Symphony, Victoria Symphony, the Aventa Ensemble (Victoria), CONTACT contemporary music (Toronto), New Works Calgary, Groundswell New Music (Winnipeg), and Vancouver Pro Musica.

Rachel has commissioned or premiered works by many of Canada’s most eminent composers, such as Hildegard Westerkamp, Rodney Sharman, Jocelyn Morlock, Nicole Lizée, Jordan Nobles, Jeffrey Ryan, Farshid Samandari, Marci Rabe, and Emily Doolittle. One half of the acclaimed contemporary flute/piano duo Tiresias with Mark Takeshi McGregor, Rachel has also collaborated with Yannick Nézet-Séguin, Judith Forst, Heather Pawsey, the Bozzini Quartet, Pulitzer Prize-winning composer Caroline Shaw, and Richard Reed Parry of Arcade Fire. Her interdisciplinary adventures have led to work with photo-based artist SD Holman, playwright/director David Bloom, choreographer Tara Cheyenne Friedenberg, and multi-media provocateur Paul Wong.

Rachel’s debut CD, Cosmophony, has been praised as “brilliant” and “unforgettable” (Vancouver Sun) and for “the passion, intensity and the nuanced playing she’s acclaimed for… she manages to instill a sense of dynamic tension and pull to every note” (The Province). Rachel was a co-founder of the Queer Arts Festival in Vancouver, recognized as one of the top 5 festivals of its kind worldwide.

 

Concert No 4: March 22, 7:30pm, Orpheum Annex

Ensemble in Residence (Pacific Baroque Orchestra)

(Programme Order to be determined)

Henry From, Dances at the End of Time

Kamran Shahrokhi, Ocean Rush

Scott F. Thompson, Hidden Gala

Edward Top, Clairvoyant

Trevor Tunnacliffe, Curl

Carl Winter, Intrusions

Jocelyn Morlock, Revenant 

 

About the Artists: Pacific Baroque Orchestra

The Pacific Baroque Orchestra (PBO) is recognized as one of Canada’s most exciting and innovative ensembles performing “early music for modern ears”. PBO brings the music of the past up to date by performing with cutting edge style and enthusiasm. Formed in 1990, the orchestra quickly established itself as a force in Vancouver’s burgeoning music scene with the ongoing support of Early Music Vancouver.

In 2009 PBO welcomed Alexander Weimann as Artistic Director. His imaginative programming and expert leadership have drawn in many new concertgoers, and his creativity and engaging musicianship have carved out a unique and vital place in the cultural landscape of Vancouver.

PBO regularly joins forces with internationally celebrated Canadian guest artists, providing performance opportunities for Canadian musicians while exposing West Coast audiences to a spectacular variety of talent. The Orchestra has also toured BC, the northern United States and across Canada as far as the East Coast. The musicians of the Pacific Baroque Orchestra have been at the core of many large-scale productions by Early Music Vancouver in recent years, including many summer festival performances led by Alexander Weimann.

 

Student Composers masterclass 

Featuring:  Performers Rachel Kiyo Iwaasa and Mark Takeshi McGregor

 Martha Lou Henley classroom (VSO School of Music) March 22 at 10am

Composers TBD (Deadline for call for scores- March 1, 2020)

(Free Admission)