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Sonic Boom Music Festival: March 23-28, 2021 (online)

Time: 7:30pm
Date: 2021 Mar 19
Location: online

Join us for a special online festival of exciting new music created by BC’s finest composers, performed by some of BC’s finest musicians!

This year’s festival will present concerts postponed from Sonic Boom 2020 plus new concerts and events for 2021!

March 23-28, 2021 (all online)

Free to watch and listen!

*Subscribe to our YouTube Channel for updates and reminders for all of the concerts https://www.youtube.com/channel/UCXccKsHHHJ8zS4WgeeLx4vQ

Schedule of Events:

March 23: Rachel Kiyo Iwaasa (piano)

Join us on YouTube for a premiere launch of a concert of pieces by BC Composers for pianist, Rachel Kiyo Iwaasa. (This concert was originally scheduled during Sonic Boom 2020).

Link to YouTube premiere will be posted here a few days before the event

Programme: (not in concert order)

Rodney Sharman Wounded

Jennifer Butler Shelter

Peter Krejcar Diaphanous

Chris Albanese Remaining Gestures

Walker Williams Small

MJ Paquette Play(h)ers Passage 

Glenn Sutherland Holy Ground

Javier Canseco Scattered Light

Kara Gibbs Intertidal

Jeffrey Ryan Aftershock

About the Artist:

Hailed in the press as a “keyboard virtuoso and avant-garde muse” (Georgia Straight) with the “emotional intensity” to take a piece “from notes on a page to a stunning work of art” (Victoria Times Colonist), Rachel Kiyo Iwaasa is recognized among Canada’s foremost contemporary music pianists.  Selected to close the ISCM World New Music Days 2017 in Vancouver, Rachel has performed in the Netherlands, Germany, US and across Canada, with engagements including Muziekweek Gaudeamus, Music TORONTO, Music on Main, Vancouver New Music, Redshift, Western Front, Vancouver Symphony, Victoria Symphony, the Aventa Ensemble (Victoria), CONTACT contemporary music (Toronto), New Works Calgary, Groundswell New Music (Winnipeg), and Vancouver Pro Musica.

Rachel has commissioned or premiered works by many of Canada’s most eminent composers, such as Hildegard Westerkamp, Rodney Sharman, Jocelyn Morlock, Nicole Lizée, Jordan Nobles, Jeffrey Ryan, Farshid Samandari, Marci Rabe, and Emily Doolittle. One half of the acclaimed contemporary flute/piano duo Tiresias with Mark Takeshi McGregor, Rachel has also collaborated with Yannick Nézet-Séguin, Judith Forst, Heather Pawsey, the Bozzini Quartet, Pulitzer Prize-winning composer Caroline Shaw, and Richard Reed Parry of Arcade Fire. Her interdisciplinary adventures have led to work with photo-based artist SD Holman, playwright/director David Bloom, choreographer Tara Cheyenne Friedenberg, and multi-media provocateur Paul Wong.

Rachel’s debut CD, Cosmophony, has been praised as “brilliant” and “unforgettable” (Vancouver Sun) and for “the passion, intensity and the nuanced playing she’s acclaimed for… she manages to instill a sense of dynamic tension and pull to every note” (The Province). Rachel was a co-founder of the Queer Arts Festival in Vancouver, recognized as one of the top 5 festivals of its kind worldwide.

March 24: Ensemble-in-Residence 2020: Pacific Baroque Orchestra

Join us on YouTube for a premiere launch of a concert of new pieces by BC composers written for period instruments. (This concert was originally scheduled during Sonic Boom 2020).

Link to YouTube premiere will be posted here a few days before the event

Programme:

Henry From Dances at the End of Time

Kamran Shahrokhi Ocean Rush

Scott F. Thompson Hidden Gala

Edward Top Clairvoyant

Trevor Tunnacliffe Curl

About the Artists:

The Pacific Baroque Orchestra (PBO) is recognized as one of Canada’s most exciting and innovative ensembles performing “early music for modern ears”. PBO brings the music of the past up to date by performing with cutting edge style and enthusiasm. Formed in 1990, the orchestra quickly established itself as a force in Vancouver’s burgeoning music scene with the ongoing support of Early Music Vancouver.

In 2009 PBO welcomed Alexander Weimann as Artistic Director. His imaginative programming and expert leadership have drawn in many new concertgoers, and his creativity and engaging musicianship have carved out a unique and vital place in the cultural landscape of Vancouver.

PBO regularly joins forces with internationally celebrated Canadian guest artists, providing performance opportunities for Canadian musicians while exposing West Coast audiences to a spectacular variety of talent. The Orchestra has also toured BC, the northern United States and across Canada. Their 2019 East Coast Canadian tour with Canadian soprano Karina Gauvin showcased the rarely-heard opera arias of 18th century Russia, culminating in a critically acclaimed album “Nuit Blanches” released by Atma Classique. The musicians of the Pacific Baroque Orchestra have been at the core of many large-scale productions by Early Music Vancouver in recent years, including many summer festival performances led by Alexander Weimann.

March 25, 26: 2020 Festival Mixed Ensembles

Join us on YouTube for a premiere launch of mixed ensembles performing an eclectic mix of works for small ensembles

Link to YouTube premiere will be posted here a few days before the event

March 25 Programme: 

Alvin Leung Spring Sketches

Yuxi (Lucy) Li Dragonfly

Isaac Zee Conversations

Wylie Ferguson Yuputka

Dubravko Pajalic 2 Melodies

Ramsey Sadaka Arioso

Goushi Yonekura Four Interludes from a Dance Drama about Dante’s Comedia

 

March 26 Programme:

John L. Baker From a Sparrow Song

Robert Humber Breath Shapes

Mark Marinic Three Diversions

Réjean Marois Elleniade

Kelly Yixuan Wang Mr. Snowman and the Girl

Darren Yu The Adolescent’s Mind

Gabriella Yorke 5 Sketches for Piano and Cello

March 27: Beth Orson (oboe and English horn)

Join us on YouTube for a premiere of new pieces written for one of our 2021 Featured Artists

Link to YouTube premiere will be posted here a few days before the event

Programme: (not in concert order)

Chris Albanese music outside parentheses

Diane Berry Fantasy #2

Jack Campbell Kassia x4

Craig Day Imp

Henry From  Leaves

Chris Nickel Suite for Unaccompanied Oboe

Leslie Opatril Sunshine on Snow

Dario Acosta Cerebro (Brain)

About the Artist:

Photo: Vancouver Symphony Orchestra

Beth Orson has played Assistant Principal Oboe and English Horn with the Vancouver Symphony since 1990. Adjunct faculty at the UBC School of Music since 1993, she was appointed Oboe Coach for the National Youth Orchestra of Canada (NYO) in 2008.

As a chamber musician, Ms. Orson appears regularly with the VSO Chamber Players, on the Noon-Hour recital series at UBC, and at NYO. Principal Oboe of the NY Symphonic Ensemble from 1988-2005, she completed nineteen tours to Japan with this renowned chamber orchestra, performing in every major concert hall in Japan, often as oboe soloist. Ms.Orson’s solo English horn performances include the world premiere of Bramwell Tovey’s “The Progress of Vanity” composed for her, Rodney Sharman’s “Songs Without Words,” the North American premiere of James MacMillan’s “The World’s Ransoming,” Brian Cherney’s “In the Stillness of September 1942” and Sibelius’s “The Swan of Tuonela” all with the VSO as well as the solo English horn part to Dan Seguin’s Leo Award-winning score for the CBC feature film “Murder Unveiled” and on Christopher Nickel’s album, “Rain.”

Ms. Orson can be heard playing both solo oboe and English horn on Jeffrey Ryan’s recently released album, “My Soul Upon My Lips” for Redshift Records.

A graduate of the Oberlin Conservatory and winner of the Oberlin Concerto Competition, Ms. Orson’s principal teachers were Laurence Thorstenberg, James Caldwell, and Elaine Douvas.

March 28: Jeremy Berkman (trombone) and Angelique Po (organ)

Join us on YouTube for a premiere of new pieces written for our other 2021 Featured Artists

Link to YouTube premiere will be posted here a few days before the event

Programme: (not in concert order)

John L. Baker Concert Movement

Michael Molnar David and Goliath

Mohammad Motevaselan And the world was still

Cheryl Olvera Unearthed

Dubravko Pajalic Mediatation on Choral Herzliebster Jesu

Benjamin Sigerson The Frozen Towers

Glenn Sutherland Stone calling Water

Michael R. Trew Spirit War

Trever Tunnacliffe Canzona

Goushi Yonekura Sophons

About the Artists:

Jeremy Berkman earned a BA in Economics and a BMus from Oberlin College and Conservatory of Music. After receiving his MMus from the Juilliard school, and working at the Aspen Music School for several summers, Mr. Berkman came to Canada to study at the Banff Centre, where he developed projects with dancers, actors, film-makers, as well as wonderful musicians. Now a Canadian citizen and BC resident for over twenty -five years, Jeremy has earned an acclaimed and varied career in musical performance and production. He is a Founding member and Director of Education for Vancouver’s award winning Turning Point Ensemble (TPE) chamber orchestra.

Currently also the Principal Trombonist with the Vancouver Opera Orchestra, he makes music with outstanding colleagues in A Touch of Brass Quintet, cellist Peggy Lee’s octet (The Peggy Lee Band), and big bands led by John Korsrud (Hard Rubber Orchestra), Fred Stride, and Jill Townsend. He has contributed to over 30 commercially released recordings with artists ranging from free-improvisors to popular singers and songwriters such as Matthew Good and Michael Bublé, and also including five with the Peggy Lee Band (PLB) led by cellist Peggy Lee. With PLB he has toured nationally and internationally and been nominated for a Juno Award. He commissioned, recorded, and toured fellow TPE Co-Artistic Director Owen Underhill’s Trombone Quintet with Montreal’s Bozzini String Quartet, with the recording (Still Image) and composition nominated for the 2012 Western Canadian Music Awards.  His most recent passion is exploring the music of the 1500s and 1600s as a member of Cappella Borealis, a sackbut quartet with fellow UBC faculty member Alex Fisher, and UBC Alumni Ellen Marple and Nathan Wilkes. Jeremy is also now currently co-leading the newly founded Vancouver Brass Orchestra (VBO), a large ensemble comprised of brass and percussion players from Vancouver flourishing brass and percussion communities.

Jeremy was honored with Vancouver’s Mayor’s Arts Award (Music) for his leadership and contributions to Vancouver’s musical communities. With Turning Point Ensemble and double bass player David Brown, Jeremy has greatly enjoyed his participation with the Sonic Boom Festival as artist-in-residence.  With David Brown, their Duo “Friends in Low Places” has performed many of the works premiered at the Sonic Boom Festival on numerous occasions, and most recently collaborated with the Canadian Music Centre on a Canada Council supported project comparing the levels of listener engagement when hearing music live vs. live-streamed.

Mr. Berkman is a sessional instructor of trombone and chamber music coach at UBC, and enjoys working with young musicians as they open the wonderful windows to the world that music offers. Jeremy lives in Vancouver with his wife Sheila and son Augwin.

Angelique Po (pipe organ)

Angelique Po is a pianist, organist and harpsichordist living and working in Vancouver, BC. Her versatility and broad range of interests in music style have led her to collaborate with a variety of ensembles and soloists. Her recent projects include an organ and trumpet concert tour to Cumberland, BC with trumpeter Katherine Evans, playing the piano in a rare performance of Galina Ustvolskaya’s Grand Duet with cellist Laine Longton, and the world premiere of Keith Hamel’s piano duo Hocket with Corey Hamm. She is currently the Music Director at Central Presbyterian Church in Vancouver, and President of the RCCO Vancouver Centre. She has also played harpsichord and organ continuo with the Postmodern Camerata, Vancouver Oratorio Singers and Abendmusik, and has taken organ appointments at St. Mark’s Evangelical Lutheran Church and First Baptist Church in Vancouver. As a composer, she has written for various small ensembles, including pianist Michael Park, and the Piano and Erhu Project (PEP) with Corey Hamm and Nicole Li, as well as a number of art songs. She studied piano at the University of British Columbia under Dr. Sara Buechner. In addition, she studied harpsichord with Doreen Oke, and organ with Michael Murray, Edward Norman and Kevin Bowyer.

 

March 27: Festival live-stream master class for participating composers

Featured Performers: Rachel Kiyo Iwassa, piano and Paolo Bortolussi (flute).

Moderated by composer, Jeffrey Ryan

Pieces by:

Katherine Bonness, Jack Campbell, Oi Ying Priscilla Cheung, Arvin Fekri, Ngoc Tran Phung, Scott F. Thompson